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Island of Hvar, Hvar, Arsenal and theatre, wall painting by N. Marchia

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Istria, Paz, medieval fort of Possert

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Island of Lopud, Lopud, church of Our Lady of Šunj, workshop of Paolo Campsa, altar of the Assumption of the Blessed Virgin Mary

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Šibenik, Cathedral of St. James, rosette on the façade

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Varaždin, Varaždin City Museum, workshop from Augsburg, cabinet

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Island of Cres, Osor, necropolis, oil lamps

plakat_mCroatian Conservation Institute and the Musée d'anthropologie préhistorique de Monaco announce the opening of the Ljubićeva Cave exhibition on Thursday 28th November 2013 at 4 pm, at the Museum of Prehistoric Anthropology in Monaco. The exhibition will remain open for public until 28th February 2014, after which it is scheduled to be presented at the Archaeological Museum of Istria in Pula and at the Marčana Municipality.

The exhibition is a result of the long-term collaboration between the Croatian Conservation Institute and the Museum of Prehistoric Anthropology in Monaco, on the archaeological explorations of the Ljubićeva Cave, a prehistoric site located not far from the village of Marčana in Istria. In the course of four campaigns, the cave was systematically explored from 2008 to 2011, having revealed relevant finds pertinent to the prehistory of Istria and the wider Adriatic region. Apart from the finds themselves, dated to the Epigravettien period (small flint tools), the Neolithic (impresso ceramics of the Danilo and the Hvar culture, flint tools), the Eneolithic (ceramics of the Nakovana culture and flint material), the Bronze Age (larger storage vessels and an amber necklace pendant, which is the most important find), the exhibition will include educational posters and a film about the finds, the geographical location of the cave, geological layers and the archaeological, speleological and zoo-archaeological research conducted.

Photos

Exhibition Photos

The collaboration of the two institutions began in 2005, initiated by the UNESCO representative of the Principality of Monaco, who declared the Principality’s readiness to provide financial aid for the archaeological explorations of a site in Croatia, aiming to establish collaboration in the research of Mediterranean archaeological heritage. The Museum of Prehistoric Anthropology in Monaco and the Croatian Conservation Institute were chosen to be representatives in the project. In 2007 the Ljubićeva Cave was selected as the site where the two institutions would collaborate, and the following year the Museum and the Institute concluded an Agreement of Cooperation for Project of the Ljubićeva Cave, Marčana. It comprised four exploration campaigns (2008-2011), the analysis of the finds and an exhibition of the explorations’ results in Croatia and the Principality of Monaco. The funding for the entire project of archaeological explorations, analysis and conservation of the finds was provided by the Principality of Monaco through the Museum of Prehistoric Anthropology in Monaco, with additional backing from the Croatian Conservation Institute, the Ministry of Culture of the Republic of Croatia and the Marčana Municipality.

Virtual tour of the cave

Invitation (PDF: 1,2 mb)

Exhibition posters (PDF: 28 mb)

Happy holidays and a prosperous new year from the staff of the Croatian Conservation Institute and Boris Mostarčić, Director

'Portal' Journal

Postal

Croatian Conservation Institute's periodical, Portal, is a peer-reviewed academic journal published annually since 2010. Directed at presenting research and professional papers on investigations, treatments, results, theoretical reflections and historical overviews, Portal is open to all those who wish to contribute, professionally and scholarly, to the reflection and promotion of art conservation and restoration. Owing to its comprehensive abstracts in English, the basic content of each paper is also available to international experts.

Selected Topics

Charter of the Republic of Croatia Presented to Directorate for the Protection of Cultural Heritage of the Ministry of Culture, the Croatian Conservation Institute and the Rental Workshop of National Costumes

The President of the Republic Kolinda Grabar-Kitarović presented the Charter of the Republic of Croatia to restorers and conservators as an expression of recognition and gratitude for their work and their contribution to the development and progress of the Republic of Croatia.

Secrets of Colours. A 15th-Century Handbook on the Preparation of Paints

Segreti per colori [Secrets of colours] is a collection of recipes for the preparation of paints, translated into Croatian for the first time in this Croatian Conservation Institute’s edition. The text, also known as the Bologna Manuscript, is a valuable source of insight into the technology of paint manufacture in the late Middle Ages.

 
Iznik – Ottoman Pottery from the Depths of the Adriatic

The bilingual catalogue was published to accompany the exhibition of the same name held at the Mimara Museum (May 18th – Sep 13th, 2015) and the Ethnographic Museum in Dubrovnik (Jul 15th – Sep 30th, 2016). The exhibition raised much interest among both the general and international professional public, presenting valuable archaeological material from a merchant ship that sank in the late 16th century in the Sveti Pavao shallows, off the island of Mljet.

 
The Renovation of St. James's Cathedral in Šibeniksvjakov_blog

Croatian Conservation Institute began in 2012 with the documenting, investigating and conservation trials on the stone sculpture in the interior of the presbytery and the main apse of St. James’s Cathedral in Šibenik. A major architectural achievement of the 15th and 16th century in Croatia, the Cathedral of Šibenik has won its global recognition in 2000, when it was entered in the UNESCO World Heritage List.

Church of St. Mark in Zagreb: architecture, history, conservation

svmarko_mThe collection of six papers on the history of St. Mark’s Church was published to mark the completion of its year-long renovation. Croatian Conservation Institute, which supervised the larger part of the renovation, initiated the monograph, aiming to compile all existing insights into the construction history of the church, which revealed it to be a particularly multi-layered monument.

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